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Showing posts with label Caribbean writers. Show all posts
Showing posts with label Caribbean writers. Show all posts

Wednesday, September 16, 2015

Caribbean Short Story: Mother To Son (of Comrades and Thieves)

              Caribbean Short Story: Mother To Son (Comrades and Thieves)
                                    copyright 2015 K. Omodele
The evening before he was to march in the Cooperative Republic's Youth Mass Games, a mother ironed her son's newer, khaki school pants as the boy buttered his supper bread. They lived in a 'big yard' with three other board houses, each divided into apartments. While the sun ducked below the tropical skyline of zinc* roofs, coconut and mango trees, the mother lowered her voice and told her ten-year-old son:
"This whole Mass Games business is some play-play, Mao Zedong - Red Brigade type a thing." She squared her eyes sternly on the ironing board; shook her head. "Only thing, our youth have black and brown faces and West Indian lingo.**"
Giving his lemongrass tea time to cool, the boy gobbled a mouthful of butter bread, half-listening to his mother. His shoulders ached and his wrists were a 'lil bit sore from lashing sixes and hooking fours during recess earlier that day.
"Oh, an' the Prime Minister, Comrade Leader, preachin' socialism an' robbin' the country blind, same time." She ironed with smooth but forceful strokes like Clive Lloyd defending the wicket.

Wrapping her words with hushed tones, she reminded him. "You see how they lock up yuh Uncle and your Auntie?" Knotted her speech with short strings of grumbling. "And for what? Eh? Talkin' his mind and tellin' de truth?"
Life in the yard was like mackerel in a tin; always bent her up whenever neighbors got loud and made their quarrels everybody-in-the-yard's business. She'd shrill out in her little, fine voice. "Man, why yuh big an' brawlin' so? You don't have no broughtupcy*** or what?"
But this evening her whispering didn't wear no gown of decency, no; it was fashioned in the fact that subversive talk might drift through spaces between shanty wall-boards and be carried off as conspiracies, way-far beyond the tenement yard.
Her son sipped his tea and she held her breath- it might burn him. When it didn't, she carried on.
"I have a good mind keep you home tomorrow, yuh hear? No Mass Games. No marchin'. No nothin'"

He sipped the tea. It wanted more sugar but she had done stirred in two spoons already- she might flip. He stole a glance. She wasn't looking, just set the iron upright.
"But if you don't march, they goin' kick you out the school? They wouldn't do that, would they? Before you take Common Entrance?"**** She turned her back and draped his school pants neatly over the wobbly-legged Berbice chair.
Quicker than a wharf-rat, he snuck another heaping spoonful from the sugar tin, dumped and swirled.

She threaded a needle. Knotted the thread and took up is clothes-line dried school shirt. "People at the plant done sayin' how the Opposition too damn ungrateful." She placed a new-bought school crest over the shirt pocket, where she'd removed the worn-out one, and began stitching. "'Bout how, if it wasn't for Comrade Leader we might still be using Pound an' Shilling. And how if the government lock up all a we Alliance backside up, it would a serve we Rodney-rass right."
She bored and pulled as she spoke- face tense. Gored and pulled.
"You finish?" She asked, getting up. She came over to her son calmly.
He nodded. Pushed back his chair, plate empty.
She shot him a stinging box***** across his shoulder. "Think I didn't see you thief more sugar behind me back?"

*corrugated tin sheets
** Caribbean dialect
*** good behavior; wasn't brought up (raised) with good ways
**** a placement exam to leave primary school and enter high school; taken by students throughout the former British West Indies

___________________________________________end___________________

Saturday, April 14, 2012

STOP AND FRISK: Brooklyn Beast

copyright K. Omodele 2012   All rights reserved
Foto:MFR
Foto:MFR (Photo credit: Wikipedia)
Wasn't much smiling in Di Nineties, East Flatbush, Brooklyn. The E. 90's was a zone of gun claps and shrieking sirens, after all, with reggae and dancehall ever thumping in the background. People on the road  called this part of Brooklyn "Vietnam." 

This night was frigid, a rigid Sunday- hard like Reagan trickle-dung policies 'gainst Black People. Four D's only used to opened its doors from Thursday through Saturday night, so this night was dead. And the boys them loved these nights when they could alms-up the sound system equipment all to themselves.
After clearing bottles and washing glasses, Nephew had attacked the floor, sweeping, de-gumming, mopping, waxing and buffing 'til the vinyl did shine like a brand new dub-plate. By then Belizean Gerald did done already restock the Bar with mostly Guinness and Dragon Stout, Red stripe, Banks, Heineken and Corona, and was shouldering unused drink  boxes into the nightclub basement.
Seemed like the minute the wuk dun*, there was a rolling then clanking on the nightclub shutter grill. The two teenagers turned down the club lights, peered out the one-way, window on the door. Nephew then popped the door and touched fists with Bredren as they traipsed in...Culchah, Irie, Roro, Moet, Dex, Jungle, Eh-Em, Blacka Shine and the whole side ah dem...in diamond sox, Travel Fox and Ballys; suede fronts and knit ganzies; Kangol, leather baseball caps, buckas and tams; leather gooses, bombers and shearlings...bouncing straight to the DJ booth. Nephew flicked the power strip and pressed the amps' power buttons and next thing yuh know, the system lights woke up. 
Speakers crackled.
Nephew twirled a plate onto turntable 1.
Sleng Teng
Sleng Teng (Photo credit: Wikipedia)
Irie unsheathed his locks from his leather crown and flashed them free.Took hold of a microphone like Selassie holding the Scepter.
The youth them took crowded the booth, one by one flinging lyrics 'pon the mic, riding riddims**: The Answer, Stagalag 13, Sleng Teng, The 54-46 (Boops), The Far East - in rapid-fire ganja and Heineken- slurred Patois, Creolese, Panamanian/Belizean Spanglish. Lyrics bigging up "weh we come from": The Nineties, The Fifties, Mini-mart, Brooklyn, Jamdung, GT, Panama, Belize. Lyrics 'bout Rastafari and Africa, 'bout teenaged love and odes to Ganja.
And lyrics 'bout the Dutty Boyz, the Beast, Babylon.

Outside, the wind howled. Feather-weight paper debris tumbled down shell-shocked streets into vestibule pockets where they twirled like twisters. Sirens blared up Rockaway Parkway. Minutes later more screaming sirens are chased by a next set a cop cars down Remsen Ave. Was only ten p.m. and yet Rutland Rd. was stripped bare of people like the climax of Gun Down in the Middle of Gun Town. A night-blue DT*** car crept off ah Rockaway, stalked down Rutland Road, crossed  E. Ninety-sixth, peering, lurking...

Two, three hours soon shot pass.
Nephew re-sleeved the records and shelved them.
Gerald emptied ashtrays and got rid of empty bottles.
"Starlight ah guh swing tonight." Culchah said, yanking the belt tight on his three-quarter length goose down.
"Schuups. If ah see my baby mother in deh one more time, I gon box she dung," Dex said, matter of factually. "Every single week, Man? Is wah do she so?"
Each and every one ah the boys cocked their ears. 
Rinsing the ashtrays in the sink, Gerald responded. "Box dung who, Loco?"
Nephew grinned. "Big, mampy**** Lorna? You mussy mad."
The whole side ah them nearly drop dead with laugh.
As they gathered at the door, Blacka Shine added. "My money deh pon Mampy-Pampy Lorna. First round knock out."
More laughs exploded.
Nephew checked around. The club was in order as it should be. No traces of the boys and the session. Satisfied, he locked off the lights.
The massive***** herded through the door into the shelled-down night.

The pulling down of the iron-gate shutters rumbled. The sound barreled all the way up Rutland Rd. to the Number 3 subway station and straight down to Rutland Plaza. The boys loaded six steel pins into the cylinders and clicked six locks through the pin eye holes.
Tested the gates with two tugs.
The whole crew turned, heading down towards Remsen Ave., shoulders up, chins tucked into chests to protect them from the cold.
Irie hauled up to a dumpster to hold a piss.
Suddenly, two night-colored DT cars roared, hurling horse power down the street. Tires screeched. The cars skidded and jerked into a stop right in front the teens.
Out pounced four undercover DTs, guns drawn and pointing at the teens.
The boyz stopped and braced themselves.
"Get da fuck on the wall!" The DTs pushed the boys toward the building's brick wall.
Two sprinted over to Irie, who by now done pissed on his Clarkes.
"HANDS ON DA WALL."
But Irie still had his thing exposed, so he fidgeting to zip that back in his pants.
The two DT's cocked their guns and rushed him. Each pinning an arm back, they shoved him, banged his head 'gainst the wall.
By this time, the next two officers had the other boys 'gainst the wall.
As the police searched them frantically, Culchah asked."Wah di fuck we do, dutty bwoy?"  chest swelling up.
The cop balled up a fist and cocked back his arm. "SHUT DA FUCK UP! Where da guns at?"
Culchah smirked. "Hmmmph."
As another DT frisked his body under his jacket, Nephew turned his head around. "Yo, we ain't do nuttn. Just done cleaning up my Uncles' nightclub back deh."
The officer nodded his head the nightclub's direction. "That jungle gym back there?" Chuckled. "Yeah, we saw youse come out. You got guns in there? We coming in."
Nephew wrinkled up his face. "Mek sure you dot your I's and cross you T's."
Next to them, Culchah laughed.
"Shut up and face the wall." The detective cocked his service 'matic, hand trembling. He plunked it, shaking, 'gainst the boy's head back. "Face the FUCKING wall, nigger! DON'T MOVE!""
Nephew faced the wall and rolled his eyes toward the sky. "Sir, please, why you don't tek the gun away from my head. Better if you put it on my back." Nephew insisted. "Whoever you think we are, we are NOT them."
The officer removed the gun from the boy's head and squared the nozzle in the middle his back instead. "Just don't move. Don't need no accidents, right?"
Culchah burst out. "Guh suck yuh maddah, dutty bwoy."
The officer jumped over to Culchah. Grabbed the back of boy's coat collar, ground him into the wall.
Culchah lets his body go limp.
The officer smirked and moved back over Nephew.
"Wah now offisah? How many times yuh gon search mi?" Nephew asked.
"Mek dey go bout dey business and 'llow we, nuh man," Dex said.
The officers searched each one of the boys, then collectively, the four DT's stepped back, guns still pointing.
The DT who searched Culchah and Nephew spat on the ground.
"What? No guns?" He turned to one of his colleagues, one who did search Irie. "Rooney, you check the dumpster?"
"Yep."
Unsatisfied, the DT now trolled over to Irie. Nodded and twirled his gun. "Turn around. Take that dread-head hat off, boy!"
Irie's whole body stoned up.
Glared at the officer. Slowly removed his crown. His locks cascaded below his waist.
Still aiming his gun at the boy, the DT continued. "Run your fingers through that shit!"
Irie glowered at the man.
The man bobbed the gun up and down.
Irie roughly flipped and rummaged his locks with fingers, then threw both hands in the air and held them high.
"Wha' more, OFF-I-CER?"
The officer looked around at the boys. Lowered his gun and tucked it in his waist-clip holster.
Grinning he said. "You ladies have a nice night."
Irie followed them with his eyes as the DT's retreated to their cars, jumped in and screeched off.
The boys on the wall looked behind them, then slowly faced the street.
"DUTTY BOYS, YUH."
"Dutty Babylon."
"Fuck di beast."
They continued down Rutland Road.
"Man, fuck Starlite Ballroom. Mi a guh a mih yard."
 "Banna, dat beast is a real antiman."


copyright K. Omodele 2012   All rights reserved


*work was done, finished
**rhythms
***Detective i.e. unmarked/ plainclothes
****big, fat
*****a collective like a crew, group, team or gang

Tuesday, September 27, 2011

Linden: Age of Innocence

Linden: Age of Innocence

copyright 2011 K. Omodele

Gentle breeze hoists clouds, lifts away a storm
Parakeets chat harmonize innocence
Boats glide lazily 'pon a black river stream

Sun-molten, tar road winds thru innocence
Trains haulin' bauxite ricket up a storm
Three times each day a horn bellows a stream

Now time's rolled by like that black river stream
did glide. Life's a bowed coconut tree in storm
which snap-whips all semblance of innocence.

copyright 2011 K. Omodele

Monday, September 26, 2011

Still I Rise: Giving Thanks


Haile Gebrselassie during FBK-Games 2009Blessed Love. Today I begin my New Year and so I man rise giving thanks to the Almighty for granting one more earthly revolution around the sun. In striving for Balance, I realize that this Journey called Life is not a hundred- meter dash but much like a marathon in which endurance is paramount- so I approach the race less like Usain Bolt and more like Haile Gebrselassie - with great stride and diligent pace.

One lesson I've learned is how to cherish moments, even as time rushes by like a tormented stream. I make concentrated efforts to breathe-in, internalize experiences and feel the moments. I am grateful for everyone who shares, or has shared, my journey in some point along the way.

I Arise every time I stumble. I rise, brush off, reveling in this journey, knowing both great joys and pains, embracing the warming sun and facing pelting rains. Mek each experience stimulate growth and development because stagnation is death.

Jah Bless each and every one, collectively.
There are over six billion people on Jah Earth...There is only ONE LOVE!

Build more bridges; less walls and fences. This is my New Year.

"When the truth awakens in you, you can't do anything but accept the truth." ~ Bob Marley








Thursday, September 1, 2011

Pressure Creates Diamonds

 Pressure Bursts Pipes

One evening on the football pitch, a man is standing, lining up a penalty kick to win the match. Seconds balance on a ledge as he bores a glare into the ball and a next man bawls out from the sideline, "Preshah Buss Pipe," the sound echoing around off trees, walls, and in the minds of man and man.

Nuff times in life, nights seem never ending. At some point in time, the verb and noun "struggle" morphed into a proper noun, "The Struggle", the emphasis worn on the backs of "Strugglahs/Strugglers." Often, the burden bends and eventually breaks some of them backs. But the same hardships or preshah that buss pipe, that said pressure creates diamonds.


Unit cell of the diamond cubic crystal structure                    Pressure Creates Diamonds


Carbon is a mineral and diamonds are allotropes of carbon, which only means it is the same carbon existing in another form. Oh by the way, Carbon is abundant in and about and all throughout the Universe. It's found in all living things, all in me and you. The interesting thing 'bout diamonds is that they are formed over millions of years, by high-intense pressure and molten temperatures deep down in the earth. These extreme measures change the structure of carbon, hardening it and adding the illustrious qualities that make diamonds. This new carbon structure's (diamond) superlative hardness, strength and density allows for little impurity. Purity and transparency, combined with its structural rigidness makes a diamond reflect light with luster. This is why a diamond sparkles and shines.

So now, see how a lump of coal (contains carbon) is formed into a tough, beautiful gem? The same preshah that buss pipe is that said pressure wha'  create diamonds. For us, the difference is in how we react; our response indicates whether we folding, leaking down di drain when things tough; or, if we coming sparkling like diamonds, fresh out di rough and harder than any natural material. This is how Bredren and Sistren SHINE, despite and in spite of adversity...Strive to come in as a gem. Yuh done know... BLING, naturally.



SANDY, UT - JUNE 18: Kyle Beckerman #5 of Real...Image by Getty Images via @daylifeOh, and the penalty kick...
"PRESHAH MEK DIAMOND, " the brother  answer back right after lacing the ball in the right V*. Shine on mi bredren. Shine on!









*V the corner of the goal where the crossbar and the post meet.

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Saturday, August 27, 2011

Granny and We Tribe

One thing I love 'bout my family is that we close-knit. For instance, I have dozens of cousins and we don't distinguish with labels like first-, second-, or third-; every single one ah dem is just plain ole cousin. That's how I like it. A next thing: there's nothing half 'bout brothers and sisters, neither.
And is nuff ah we, plenty ah we. All over in England, Canada, the U.S.- in more than ten states; all over the West Indies-one ah we even lived in Costa Rica, a few in Africa.
My Uncle Stuartie used to call the family, "the Tribe." See, in a tribe, the whole village raises a child and throughout my life my Granny and aunts helped grow me, even some of my teenage years. When I was born and my mother continued her schooling, my Granny, Jah Bless her, tek mih in an' mind me. I mean, I went to live with her and she took care of me. So, for my few toddler years, 'til I was 'bout four, I was raised by the tribe, the village. And Granny, is the Matriarch.
In November Granny will be Ninety. In her time, she has read current news articles declaring: How To Survive The Great Depression, A Hundred Years Since Emancipation, Germans Blitz London, Fidel and La Revolucion, The Collapsing of British Colonialism, National Independence, Federation Folds, and CARICOM Lives. She's outlived dozens of Prime Ministers and Presidents. She limps with a walker now, but I see photos that could've made magazine covers- one with my late Grandfather back in the days and, truss mi, Barack and Michelle couldn't stand next to dem.
She chastises me:
"Why you talking so? Speak English, proper English."
But Granny, the damn English don't even speak proper English.
Everyday I remind myself that its she one who labored over the stove for me, regardless if I was behaving:
"hard ears"; "boderation"; "schupid; like yuh doan have no sense, or wah?"; "mannish"; or like I don't "have no manners."
Wait, side note. My Great-auntie just fight mi off a piece a buns and ask, "Is you one have mouth?"

Disassembled hand-powered grinderSo, the Elders in my tribe are pushing up in years and now its time I mind them. I been visiting with them here in ATL, and my recent days I been cleaning ceiling fans, helping turn mattresses, boiling ginger, opening guava jelly bottle/jar, grinding up pepper with a grinder (not a blender, an ancient grinder). Sometimes, right when I'm concentrating on writing, one of them screeches out my name, pushing my annoyance button, 'til my vexness turn up. Through clenched teeth I reply boyishly, "Yes, Granny." (or Auntie) Truss mih, is all love because when its all said and done, they are my biggest supporters, they have loved me without conditions nor obligations, and for the longest time.
And I am thankful. I am grateful I have people who cherish and share a bond from all over the globe. This is my Tribe. And I love it to Life.

Bless up Uncle Stuartie.
Never gone! Never Forgotten






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Monday, June 13, 2011

Brother Wally: Walter Rodney's Groundings With My Brothers

"We must understand that we are still locked in struggle. And 
we are reaffirming our commitment to struggle, and we are
saying we are ready to proceed. We are moving forward, we are
not intimidated, we recognize the pressures, but we are far
from bending under those pressures." 
-- Walter Rodney, June
6, 1980, Georgetown, Guyana


In Groundings With My Brothers, Walter Rodney called Rastafari bredren, "the leading force of the expression of black consciousness in the Caribbean."  In an introduction to the work, Richard Small reflected on how fast in the 1970s the young Guyanese-born scholar had gained popularity in Jamaica and in the entire Caribbean as "the man who knew about Africa ... and who would talk to anybody who wanted to hear him ..." 
Although a well-respected professor of African Studies at the University of The West Indies at that time, Dr. Rodney preferred grass roots reasonings with Rasta and poor people in Kingston rather than mixing and mingling with socialites at the university.


"There is no continuity in my life in respect of old acquaintances. We meet;I try to be pleasant; and I move on. For our generation too is adding its quota to the frightening sterility of the society. Living off campus is a great boon, for it reduces my contact with rum-sipping soul selling intellectuals of Mona..." 


Having come from a modest background in Georgetown, Guyana,  he emphasized the need for Black intellectuals to attach themselves to the plight of the masses.
  
"I would go further down into West Kingston and I would speak wherever there was a possibility of our getting together. It might be in a sports club, it might be in a schoolroom, it might be in a church, it might be in a gully. (Those of you who come from Jamaica know those gully corners.) They are dark, dismal places with a black population who have had to seek refuge there. You will have to go there if you want to talk to them. I have spoken in what people call ‘dungle’, rubbish dumps, for that is where people live in Jamaica. People live in rubbish dumps."

“The first essential was to operate outside of the petty bourgeois University campus and outside of the 'respectable' middle class suburb where I resided. My background in Guyana was working class, but after the alienation produced by the educational system, it was up to me to retake the initiative to rediscover my brothers and sisters. I sought them out where they lived, worked, worshiped, and had their recreation. In turn they 'checked' me at work or at home, and together we 'probed' here and there, learning to recognize our common humanity. Naturally they wanted to know what I stood for, what I ‘defended’. I never gave anyone money or bought them drinks; that one must leave to the political gangsters’ of the two-party system. At some point I ceased to be Dr Rodney and was addressed as 'Brother Rodney' or better still ‘Brother Wally’ That simple change meant I was no longer a tool of the establishment, but was readmitted into the moral and cultural brotherhood of the Black man.”

"So long as there are people who deny our humanity as blacks, then for so long must we proclaim and assert our humanity as blacks. That is why our historical and cultural heritage is so important, and that is why we must proceed to live our culture because culture is a way of life. We must recover what was taken away from us and we must adapt in order to survive and keep on growing as a section of humanity."


Note~ Groundings/reasonings are communal discussions,lectures or exchanging of ideas, information and opinions





More on Dr. Walter Rodney
Methodmecca.com: Who is Walter 
Roots and Culture Media
The Signifyin' Woman (Charmaine Valere) 
A June 13th Tribute: Walter Rodney, the Rastafari and ‘dungles’ everywhere


Sunday, May 8, 2011

Mommy Frock is Bulletproof

My Mother is a radics, a radical. When I was a little boy she wore tie-dye and batik dresses, African-themed garments and a soul-shouting Afro that was 'bout two or three sizes too big. She was a single mother pushing herself through school riding on a student visa, balancing an off-the-books job, with a little rug-rat clinging to her frock tail (that's me). She didn't have much, but she had a plan and a good head on her shoulders.
One day, right as she picked me up from school, some man was shooting somebody because of something right in front the school. The shots shocked me. But then Mommy tucked me into her hip, somehow, and we tear up that little side road. I'll never forget thinking Mommy frock is bulletproof.
As I got older, I start turn wild. Two days before I took Common Entrance* I got sent home from school. My teacher did split the class into girls 'gainst boys for a kind of trivia game. I kept throwing up my hand to answer before any of the Girls, but would Ms. Harper pick me? Hell no. So I gently stated, "You only tekking** up for them ca you a girl too!" You coulda hear a fly piss pon piece a cotton, 'cause by the way, Ms. Harper was also the Head Mistress of my Primary school. We marched to d'office where I pushed up my chest and declared, "I am not taking no caning!"
I plodded home with the fingers of the Wrath wrapped 'round mi throat, thinking I had a few hours to think before Mommy come home and tear off my rass. But she was there for lunch. Why God?
Two days before common entrance.
She pulled up her nurse's whites, sprinted down into the yard and grab up a rod of correction. Beat me straight back to Ms. Harper- d'office.
It's amazing how I carry her with me.




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Wednesday, December 8, 2010

Caribbean Poetry: Catharsis (When I Write...)


Caribbean Poetry: Catharsis

(When I Write...)
a free-style

©2010 K. Omodele


When I write, I:
seal long–time wounds in my soul
try stitch a heart that’s been torn
mend this conscience I've worn...

When I write, it's like:
slitting my wrists when I vent
scribbling blood with my pen 
        I'm awakening each sense…

When I bleed through my pen, it's like:
purging away old stabbing pains
watching them swirl down the drain
then lifting my face to more rain...

I word to di riddim of drums when I write!
I sound di Abeng from plantations when I’m right !
draw power from village and slums, passage rites!

I AM
Tom Feelings when I write/
Count Ossie when I write/
When blind, more sight/ when dark, more light/
my stain, my plight/my pain, my fight/

I create a unique, lyrical mural -
when I write...
I am right.

©2010 K. Omodele





Friday, December 18, 2009

Tempting Irie: II

©2007 K. Omodele (Tempting Irie)


Part II

Irie fluffs the sliced-up ganja. Fingering the ring on the ratchet, in a single, fluid motion, he flicks the blade shut and pockets it. Then he retrieves a challawa from the desk and packs the kutchie with herb. He begins chanting.
“Let Jah arise and let his enemies be scattered; let those that hate him flee before him; as smoke is driven away, so drive dem away; as wax melteth by the fire so let the wicked perish at the presence of Rastafari…Extol H.I.M who reigneth inna Zion by His name OH JAH Rastafari…”
Sukunya quakes like Port Royal just before it crumbled and tumbled into the Caribbean Sea.
He won’t so much as even poop on me, she thinks.

Seducing Ratta had played out much smoother than this. Ratta had yearned for her, longed for her gift. He had done discarded his conscience long, long time-way back when he was a younger youth hustling fi Blacka. Ratta woulda jukked down (stuck up/robbed) Israel and all Twelve Tribes to earn couple stripes. If Blacka ever said, “Mr. Big Mouth fi hold some FAT shot in his FAT rass!;” then, that was no problem.
Ratta was a fiend for notoriety.
So one night, almost a full year ago, Sukunya had offered herself to Ratta at Blacka’s Boxing Day Bashment. Blacka, with Ratta and the whole crew, marched in shining. As they flowed through the crowd like a fighter and his entourage at a prizefight, the crew sang out, “Blacka Knights.” People murmured and nodded and Sukunya pumped through Blacka’s veins, his heart, his brain. She consumed him and he wielded her triumphantly as he waved his eagle-head cane in the air like a scepter in time to The Bruck Out riddim.
As Ratta watched, he brindled with envy. Blacka was king.
Sukunya chuckled and approached Ratta. Few men had ever resisted and she doubted he would be anything special.
“Blacka cyaan (can’t) hold mi, yuh know,” she said matter-of-factly. “He cyaan control me.”
The music wound low and the crowd movement slowed like a trek to perdition. The club scene had fallen catatonic- which was a perfect canvass for Sukunya.
Ratta’s eyes brooded wickedness. He clenched his fists, raising them in front his face. “I want yuh so bad I’da rip out mi own mother heart out her chest. I want this-”he circled his hands around the room and shrugged “- I want all this fi me- RATTA.” He laughed, deep, from within a rotten soul.
“I know. Yuh feel me now, mi Boy? Blacka come like nuttn to you. Imagine, the world is yours.” She winked, and then added. “Drink up. Just accept mi. FEEL me. Taste me. ”
Sukunya giggled uncontrollably as the music and the crowd catapulted back to life.

A few early mornings later, before sunrise, Ratta and his side-kick Tully waylaid Blacka outside his home in Flatlands. Around 5:30 a big, bad, midnight Escalade barreled up the street like a powerful tidal wave. As his driver squeezed back and forth into a tight parking spot, the Boss lit a bighead spliff and took a deep pull.
Ratta and Tully crept silently, low in the valley of shadows between the building and parked cars. As they came up to the Escalade, Ratta raised up two forty-fives and -BLAM.BLAM.BLAM…bust them rapidly through the passenger window while Tullo unloaded six booming shots from a pump shotty around on the driver side. The Escalade’s engine vroomed hard and the SUV lunged forward, plunging into a Lincoln Town car.
The car alarm wailed.
Tullo ran around the SUV, and unloaded one more in the Boss’s head.
In all, twenty-seven shots blared.
The two assassins looked for any movement from the slumped over men.
Satisfied, they sprinted up the block.

Back in the apartment, the clock reads 11:45. Sukunya top lip quivers.
Irie is sealing up his chanting. “…Oh Great and Thunderable I- JAH RASTAFAR I.”
Sukunya shakes. When Irie thumbs a lighter and a single flame spurts up dancing in the dark, she cringes.
He lifts the fire to the kutchie and draws long and deep on the pipe. The flame climbs in, flooding over the herb, igniting it to sizzling orange embers. He holds his breath, letting his meditation ascend to higher heights.

Growing more restless, Sukunya pops up and sashays over to Irie. Leers over his shoulder, anxiously checking the clock.
11:47
She whispers:
“Yeah man, smoke up. I perform best on the unconscious. My ride go take you higher than that Indica, Irie Dread. Trust mi, you see.”
Finally he exhales, a smoke plume flaring from his nostrils.
Sukunya chokes on the congregation of smoke inundating her like judgment ‘pon the land.
“UGH-Ugh-UGGGHH.”
Irie doesn’t even stir. He holds firm.
Sukunya moans. “Taste me once, just once; you never get enough.”
She kisses his neck. OWW. Scalded, she cowers back.
What in di hell-?
Irie beams.
You need me Irie. Relax. Take me and men will tremble when they hear your name. Women will bow-She reaches for him again. But now awakened, he leans away.
No, Harlot. All is vanity
Relax; she repeats and brushes scorching fingertips down his chest. Claw-like fingernails soaked with the blood of martyrs leaves trails on his shirt.
Look at me! Her eyes are drunken, blood-red like her nails. Surely you want what I offer. Behold my fullness. Render your heart, nuh, I’ll bring you ecstasy. Discard your clothes of righteousness and I will give you the world.
Slowly and jerkily, she leans in and presses her lips to his.
Irie twitches and breaks away. The radiator steams, loud and vexed.
Sukunya is dripping wet.
Irie sticks out his chest. I AM-Jah blessed. He smiles and bounces to a song in his heart. Di hungry shall be fed/ Jah know di blind shall be led…
But Irie, you don’t know me yet. Yuh never wonder? I’ve lain with kings. Great men have drunk my wine. Here,
thrusting her golden cup at him.
No! He refuses, shaking his head. I DO know you.
She spins around, grabbing a glance at the clock.
11:56.
No. You don’t. You may have seen me around, with Ratta, Blacka…other dons. They’re like grains of sand beneath the Great Pyramids. But you, I want you more intimately. Like Napoleon. Like Julius Caesar.
Her eyes dart back to the clock. It clicks to 11:57. Her heart begins to trot. She continues:
Like Nimrod and Nebuchadnezzar, I’ll lift you high, high, high-like pharaohs. Make you great. People will call your name through the ages. Just kiss me; taste me; SEIZE ME. HURRY Irie!
She’s panting.
But Irie remains rooted, firm, like a tree. Smirking, I know your mystery.
Wha?
She snatches the time off the clock.
11:58.
She gasps. Begins pacing back and forth like a penned-up beast.
LISTEN, she snarls, drenched all over. Gulps down the last of her Brunell and flings away the cup. Paces some more. You want a Bentley? Fine silks? Linens? Islands in the sea? Souls of men?
Irie chuckles. Flashes his mane, remembering, "...leaves shall not wither."
She flails her hands in the air. Her pacing quickens to a frantic gallop around the room. She stops. Points a finger. Is about to say something, but presses her lips together. Shakes the finger at him.
What? Tell me wha yuh want!
11:59
Her lips are parched. She gallops around again, circling him. Fast. Faster.
Tell me. Hurry. Quick nuh Irie.
Irie remains still, grinning with the challawa (chalice pipe) in hand.
She brakes suddenly. She opens her arms. IRRIIEEeee!! Come to me nuh? Tell me wha yuh waaaant?
Irie delights. "FIRE! For Purification. Gimmie FIYAH!"
From downstairs, young voices cry out. “TEN, NINE, EIGHT-”
Sukunya falls to her knees and rips away her soaking garments. She kneels desolate and naked.
Irie stands over her and can hear the weeping and moaning and mourning of those who had slept with her. She looked up at him imploringly.
The voices outside sing:
“FIVE, FOUR-”
Sukunya bursts into flames.
“THREE, TWO, ONE.”
Great volleys of gunfire erupt outside around the whole Flatbush, on and on, a thundering salute to the new millennium.
Now Sukunya is a blazing inferno. She crumbles to ashes as Irie watches standing over her, bemused, burning his chalice pipe as gunshots pound outside like falling brimstone.
And now it is done.
Rastafari stands alone.





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Wednesday, December 2, 2009

Short Story: Tempting Irie

Copyright 2007 K.Omodele (Tempting Irie)


Part I
(Introducing Irie and Sukunya)

Old year’s night and one millennium hurtles toward the next. The depths of a Flatbush studio apartment whisper blackness. In the front, scarce streetlight tumbles through a monolithic window and falls flat a couple feet beyond the sill. 11:37 PM glows neon blue against the darkness. Overworked, a radiator hisses in protest.

Sukunya fidgets on a wicker settee. She grins, but her eyes scurry about the room like a condemned woman, strapped in, dreading the marching time. She squints as she settles on a figure planted behind the desk by the window, which frames Prospect Park’s skeletal landscape.
Outside, down two floors of corroding fire escape, teens gaggle and shriek on the stoop. They stumble drunkenly in and out of the building’s vestibule.
Jay-Z crackles through a Phil Collins sample. “You belong to the city/You belong to the night…” A horn screams, brakes EEK and upstairs a mother shrills from a window. “ MEEKA. Haul yuh rass in this house. NOW!!!”
"prospect park, brooklyn 2005" by postopp1 
is marked with 
CC BY-ND 2.0.

These sounds limp through the half open window and nudge the stillness in the apartment. Sukunya spills more Brunello di Montalcino into her golden cup.
She sips.
She slurs:
“So Irie, you don’t never think bout me- why men always fighting over me?” She strums her swells- breasts, hips, curve of her butt. Prattling, she arches her back and cocks her legs limberly up on the settee. A purple, silken camisole clings to her bronze skin which glistens like melting ice.
But Irie doesn’t notice. On a stacked milk-crate throne, he hunches over an unpolished, raw-pine desk. Light from outside feebly captures the concentration carving his features. Whittled brows glower as he slices a half-dozen Indica buds with a ratchet so keen, it can divide light from the darkness. Each drag of the knife scars the Steel Pulse “Armageddon” album cover he uses as a cutting board. He pauses. Removes his leather buckas-styled tam and Congo-natty locks cascade heavily over his stone-cut shoulders. A worn reprint of Bob’s “Confrontation” shield’s his chest.
Sukunya splays her thighs, bracing an elbow on a knee.
“I know you feel me, Irie. Can’t ig me forever.” Snaking fingers twine the gold, precious stones and pearls coiling up her neck.
She slips a glimpse off the clock. 11:40.
A light sliver ignites her cat eyes for an emerald second. “I see you watching me when I’m with Blacka. And Lenky. Or, when I’m hugging up Worries over in New Lots.” Puckering scarlet lips, she puffs him an air kiss. “Yep! I know you want me, Irie Dread. Act like you don’t, but you need me.”

Irie fluffs the sliced up ganja. Fingering the ring on the ratchet, in a single, fluid motion he flicks the blade shut and pockets it. Then he retrieves a challawa from the desk and packs the kutchie with herb. He begins chanting...
(To Be Continued...)

READ TEMPTING IRIE PART II (The lit up finale)


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