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Showing posts with label Mother to son. Show all posts
Showing posts with label Mother to son. Show all posts

Wednesday, October 14, 2015

Caribbean Short Story: Mother To Son (Comrades and Thieves II- Mass Games)

In the third row behind his school banner, the Son marched wearing crisp, clean school khakis his mother had ironed the previous night, with her own bare-ring-fingered hand; right before she had hauled back that said hand and slapped all the thiefingness out of him. The mother had scolded her son:
"If you too 'fraid to do something in front somebody face, then yuh coward if you hide and do it behind they back."
In truth, he rathered licks from her hands, any day; licks, after all, would burn and cool. But them words out her mouth always lingered, haunting him like jumbie.*
By this time, the Third-World sun had climbed nearly midday high and was pelting rays upon rays down on wave after wave of marching, perspiring school pickney.** From all over this Cooperative Republic, children like plenty-thousand ants, but in line-tight rows.
Left, Right. Left, Right. So they marched in synch, second nature after months of training drills.
'Just don't miss a beat,' the Son told himself.

Earlier that morning, these primary and secondary school students' numbers swelled under Cuffy's shadow*** as they gathered in Revolution Square. With a late start they flowed like a river up Vlissingen Road, swirled left by Camp Ayangana, then surged down towards the National Park. Marching soaking wet - but with frozen faces straight in-front; left feet forward, right arms up; right foot forward, left arm up - in perfect timing.
In the section ahead, the older National Service teens marched in military gear, lean and green like bamboo shoots in spit-shine boots.
The whole time, the Son thinking, 'Try, don't bother stand out.' The entire school seemed like government supporters- from the Head Mistress straight down to the Prefects. So each morning he just went through the motions with the rest of his classmates, pledging allegiance while a photo of Comrade Prime Minister sat high up on the classroom wall, staring down on them like a god. The son kept his family's Alliance business to himself. Like his mother said, you never know who is who.

The marching river veered right and streamed through the National Park gate. Splashes of applause from the not-far-distance dribbled through to the Son as schools, sections ahead of them, flowed and disappeared into a bowl-like canyon of stands.
Left, Right...Left...
He wondered how his cousins and them were making out marching with their own schools.
His mother's tinny voice pinged in his head. "Must remember in all the Mass Games marchin' and all yuh salutin' that is them same ones lockin' up your uncles and yuh aunties them lef' an' right."
She ain't have to keep telling him; he'd been there playing chinkie with his cousins the day when the Land Rovers rolled up. Brandishing weapons of destruction and wrong-and-strong mentalities, the babylon**** rushed in his Uncle's yard.
"Where the printin' press deh?"
"Yuh slandering' Comrade Leader with your subversive paper, eh? He should hang the whole set of all you for treason." They rounded up every adult present and carried them straight to Eve Leary.*****

Left, Right. Left, Right...Under the flogging sun the youths marched in a steady, mind-bleached rhythm. His school curved 'round a slight bend and finally entered the already crowded canyon of stands. People everywhere; the all-'bout energy slammed him like the Atlantic crashing against the sea wall.
Ahead, the rows of National Service teens rolled by the Grand Stand. As the bamboo-green uniforms passed the Prime Minister's box, they stiffened their backs all together, turned their heads right to face him, and saluted while in midstride. They held the salute 'til  they cleared the Grand Stand, then faced front with perfect tempo, marching on. Left, Right...

The Son's school now approached the Grand Stand. Just a few more yards to go.
"The government boots is not your own, y'hear me Boy?" He could hear his mother say.
At the Prime Ministers' box, one of the banner-bearers commanded:
"EYYYYES RIGHT!"
As one, they all stiffened their backs, turned their heads right and, with a snap of their right hands over their right brows, saluted in stride.
The Prime Minister and his henchmen saluted back, sharply.
As he marched by, the Son squinted into Comrade Leader's box. There, one of the bodyguards, the one with a head bigger than a lorry and a snout like a bush cow; it was Mr. Hang-All-Yuh-For-Treason, himself.
The command was shouted from up front. "FAAAACE FRONT!"
Smirking, the Son swung his head to front a full second before the rest. Chest swelled and he could hear his mother say, "Ow, de boy,"****** with she rebel self.

* jumbie- ghost, spirit
** pickney -child or children
*** referring to the monument of the Revolution of 1763 - a statue of slave revolt leader Cuffy (Kofi,Cuffie, Cuffe)
**** oppressors; an oppressive, corrupt system; or, as in this case, police forces of a corrupt system
***** Eve Leary was the Criminal Investigation Department headquarters in Georgetown
****** atta boy; like a pat on the back; subtle praise or congratulations

Mother to Son I http://consciouspen.blogspot.com/2015/09/caribbean-short-story-mother-to-son-of.html
©2015 K. Omodele

Wednesday, September 16, 2015

Caribbean Short Story: Mother To Son (of Comrades and Thieves)

              Caribbean Short Story: Mother To Son (Comrades and Thieves)
                                    copyright 2015 K. Omodele
The evening before he was to march in the Cooperative Republic's Youth Mass Games, a mother ironed her son's newer, khaki school pants as the boy buttered his supper bread. They lived in a 'big yard' with three other board houses, each divided into apartments. While the sun ducked below the tropical skyline of zinc* roofs, coconut and mango trees, the mother lowered her voice and told her ten-year-old son:
"This whole Mass Games business is some play-play, Mao Zedong - Red Brigade type a thing." She squared her eyes sternly on the ironing board; shook her head. "Only thing, our youth have black and brown faces and West Indian lingo.**"
Giving his lemongrass tea time to cool, the boy gobbled a mouthful of butter bread, half-listening to his mother. His shoulders ached and his wrists were a 'lil bit sore from lashing sixes and hooking fours during recess earlier that day.
"Oh, an' the Prime Minister, Comrade Leader, preachin' socialism an' robbin' the country blind, same time." She ironed with smooth but forceful strokes like Clive Lloyd defending the wicket.

Wrapping her words with hushed tones, she reminded him. "You see how they lock up yuh Uncle and your Auntie?" Knotted her speech with short strings of grumbling. "And for what? Eh? Talkin' his mind and tellin' de truth?"
Life in the yard was like mackerel in a tin; always bent her up whenever neighbors got loud and made their quarrels everybody-in-the-yard's business. She'd shrill out in her little, fine voice. "Man, why yuh big an' brawlin' so? You don't have no broughtupcy*** or what?"
But this evening her whispering didn't wear no gown of decency, no; it was fashioned in the fact that subversive talk might drift through spaces between shanty wall-boards and be carried off as conspiracies, way-far beyond the tenement yard.
Her son sipped his tea and she held her breath- it might burn him. When it didn't, she carried on.
"I have a good mind keep you home tomorrow, yuh hear? No Mass Games. No marchin'. No nothin'"

He sipped the tea. It wanted more sugar but she had done stirred in two spoons already- she might flip. He stole a glance. She wasn't looking, just set the iron upright.
"But if you don't march, they goin' kick you out the school? They wouldn't do that, would they? Before you take Common Entrance?"**** She turned her back and draped his school pants neatly over the wobbly-legged Berbice chair.
Quicker than a wharf-rat, he snuck another heaping spoonful from the sugar tin, dumped and swirled.

She threaded a needle. Knotted the thread and took up is clothes-line dried school shirt. "People at the plant done sayin' how the Opposition too damn ungrateful." She placed a new-bought school crest over the shirt pocket, where she'd removed the worn-out one, and began stitching. "'Bout how, if it wasn't for Comrade Leader we might still be using Pound an' Shilling. And how if the government lock up all a we Alliance backside up, it would a serve we Rodney-rass right."
She bored and pulled as she spoke- face tense. Gored and pulled.
"You finish?" She asked, getting up. She came over to her son calmly.
He nodded. Pushed back his chair, plate empty.
She shot him a stinging box***** across his shoulder. "Think I didn't see you thief more sugar behind me back?"

*corrugated tin sheets
** Caribbean dialect
*** good behavior; wasn't brought up (raised) with good ways
**** a placement exam to leave primary school and enter high school; taken by students throughout the former British West Indies

___________________________________________end___________________

Monday, March 19, 2012

Mother To Son: Divinity Within





 Copyright 2012 K.Omodele

This fog-filled Sunday morning, just one hour after the cock did crow, a mother snatches some dung-smeared eggs right from under a fowl and runs some stand pipe water over them. She storms through a back door clutching three warm eggs, tracking mud on the hand-polished, hardwood floor with her Bata slippers.
She sits the eggs inna old enamel bowl and turns to her son and squares off, hand akimbo. Brows dig furrows while her eyes fling daggers at her eleven-year old boy. 
He lowers his eyes.
She wrinkles her mouth around a word but then press her lips taut as a goat-skin drum.
"Un-GOD-ly? So they say." 
She jabs a finger in his chest with every thumping syllable.  
"I more spiritual than whole heap ah hypocrite wha' you see go to church every week, whether 'pon Sat'day or two time 'pon Sunday. Ah sure I more righteous than thiefin' Parson Brown with them t'ree pickney and t'ree different babymother outta di same damn congregation."
Her son's back is pressed against the rough, board wall.
"Mek ah tell yuh dis, mih Son! See here, going to church don't mek nobody Godly or righteous. Nuff ah them in church 'pon Sunday, dirty and bad mind. I don't have to go to nobody church to pray; live and treat people good. Yuh have One single Almighty but plenty ways fi express yuh love for Him. Every church want say their way is the one an' only way. That is wha' yuh call religion an' doctrine. I don't deal with religion; I deal with culture. Seven culture have seven different ways of expressin' love for The Mos' High. But, Son,  when yuh want talk to God, if yuh really want talk to HIM and feel HIM, don't bother look around out deh  for HIM."  
She  grips his sagging shoulder firm with one hand, but caresses his chest gently with the next. 
"Yuh muss find Jah within yuh heart, mih Son. A church will only give you belief an' faith.The pastor or di priest can tell you bout rituals and rites. How after the cow jump over di moon, she drop dead and mek horse fat. But yuh want find spirituality? Know yourself and yuh will find divinity within."
The boy pick up his chin off his chest, hoists it up high.
Copyright 2012 K.Omodele



Monday, December 20, 2010

Mother To Son: Go Read a Book!



Drawing property rights to The Abeng.../ YardCore Int'l, Publishing

Copyright 2010 K. Omodele


One sun-parched, Third World July noon, a mother scurries around a metal-creaking kerosene stove, simmering curry chicken and white rice in enamel pots when she notices her eleven-year old son fingering a string, making diamonds.
Mother to Son:
“Boy, yuh bored, nuh?”
He snorts but doesn’t look up.
“If yuh bored, go and read a book! You can travel round the world in a book.”
The boy throws away the string. “OK, Mummie.”


Years later in Foreign, one January evening with the mercury sinking two degrees below zero, she’s stirring up marrow-heating soup with provisions and dumplings. He’s in his mid-teens and she refuses to buy more than one T.V., which she locks and keys in her bedroom.
“You won’t be like the typical American pickney*, nursing on no boob tube. This thing dims out yuh wits. It too visual. It show and tell you what to think, so yuh don’t even use your imagination to picture what nice piece a chicken would look like, smell like. I want yuh wonder and envision what a Andorran sunset look like, why blood deh in George Jackson eye, what Gambia mussy** feel like to Kunta Kinte. I don’t want yuh depend on the T.V. to show you.”
“Mummie, everybody I know in school got a T.V. in their room. We living in Foreign now. Is Foreign.”
“And wha happen to that? Well then read a foreign book, then. You not getting no T.V. in yuh room. Hear me, GO READ A BOOK!”

One morning three years later he’s taking this girl, Missy, home from Days Inn after a night that began in a dancehall with her gazing at his rope chain. He pulls his BMW up outside The Blue Nile across the street from Howard University. He doesn’t live with Mummie anymore and now three T.V.’s sit like Great Propagators around his apartment.
The girl’s eyes furrow. “What you stop here for?”
She half hides a chuckle and hurries behind him into the bookstore.
He nods at the girl behind the counter, “Morning,” and heads straight to the new releases where he snatches up Assata Shakur’s autobiography and marches back to the counter.
As he hands the book to the cashier, he feels Missy stare. He glares back.
She says, “I don’t mean no harm but I ain’t never known no nigga that bought no book.” She glances around the Blue Nile. “Shit, I ain’t never been with no nigga in no bookstore.”
He winces while paying fifteen dollars for the book. “You still ain’t.”
“Ain’t what?”
“Been with no nigga in no bookstore.” He spat. “I ain’t no nigga, dutty gyal***” He can feel Mummie grimacing.
The cashier gives him his change and a grin.
The girl catches her jaw before it hits the ground. “You look like a nigga to me!” she says, snaking her neck.
“And you sound like a dutty gyal to me. Go read a book, any book.”
He two-steps out the door, the girl at his heels.


*child
**must be
***dirty girl

Copyright 2010 K.Omodele




Tuesday, April 27, 2010

Mother To Son


copyright 2010 K. Omodele

trademark The Abeng/Yardcore International, Inc.
A frustrated mother says to her eleven year-old son:
"Son, know this: a farmer don’t just plant, so. Is a long, drawn out process to grow good crop- it don’t just happen -BUDUPS- outta de blue, it tek (takes) work and diligence.

First, you as the farmer must burn down all trees and bush over de land. Then, after that, till the earth-and that mean turn it over wid a big fork or machine and make up some beds of soil. Then yuh have to prepare and fertilize the soil with manure and dung, which in itself is a bitch ‘ca (because) it stink so to high heaven. Is a shitty task, Son, but essential beca good crop don’t grow in unfertile soil. And if not manure then compost, which can be dead fish head and banana peel, orange peel anything so.

So now after that, when you as de farmer done prepare the soil, tek yuh seed and plant dem in a drum, pan or can or something so. When they sprout up, yuh nurture dem into seedlings. After the seedling dem catch, den yuh transplant dem into the soil beds and then the real nurturing and nourishing start- water, preening, all dem type a thing. You can’t just expect them fi grow so- wild weed will come and choke dem. So you must keep weeding out bad growth from round dem as the grow. And after all that, you might get a good crop and not bad breed.

So, Son, yuh see how much preparation and work and care go into planting a good crop? GOOD! Then is the same thing when you want find a woman and plant a seed in her… yuh cyaan (can’t) just fling good seed in any soil so. You must tek time and mek sure her soil well nourishing, meaning that she will nurture yuh seed when it grow. Take yuh time! And, Son, careful: some soil wha look rich might be poison! So, watch and mind how yuh flinging yuh seed!

One more thing…pay attention, Pickney! Whenever you do go plant a seed, be like the
good farmer; meaning, TEK CARE MIND IT WHILE IT GROW!"


copyright 2010 K. Omodele








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