Africa Was Born in Me: Black History 24/7, 365

Black History 24/7, 365 @TheAbeng #theabeng

Black history is world history. African history is part of the Black story; after all, Black history didn’t begin with slavery, neither did it end in Africa. Black history reaches from the Rift Valley floor to the various ages of mass-incarceration cages, to repatriation and reclamation of African citizenship. Black people stories rather leap off ships, jump off cliffs, tear their own skin with sparks from munitions than live bowed on knees. Black history (ourstory) is love while gritting teeth, while kissing teeth, while sucking teeth, while grinding teeth down to chalk so as not to have families torn apart. Black history is Black people story.

We now reclaim Black history as Black people’s story–we will tell our own stories, express our own experiences; we will no longer sit down by another fire side and hear someone else tell us who we are, what we should be, who we should dress like, how we should talk. I want talk how-so-ever I feel fah talk to me Nua. And if it pidgin, or creole, or patois–soundin’, is because one time we couldn’t talk unless we talked like how the colonialists talked–speaky, spokey. So, Black history is Kreyol, Black story is Creolese, Black story is Patwa, Black story is Ebonics or Pidgin or Papiamento or Krio. AND, Black history is also Twi, and Yoruba, and Mandinke, and Xhosa, and Ibo, and Hausa, and so many others because African tongues is the root of we ‘tory, our story.

African history is black history because Africa is born within us, and walks with us; right, Nana- Buluku and Olorun? Right, Shango? See me, Nyame? Listen me, Nyambi, nuh man? Africa born in all we Samba, all we Rhumba, all a we Nyabinghi, we Kumfa, we Kumina; in all we Merengueing and we Limboing and we Wining, and we Kumbaying, mi Lord. You overstand? Africa born in all we cassava and yam and ochro gumbo and metemgee/oil down/run down and even when we pop a top a pour a lil libation pon de ground for we bredren wah gone; Africa in deh, it in deh, ayahhh- ohhhh, it in deh.  

“I am not African because I was born in Africa but because Africa was born in me.” ~ Kwame Nkrumah

Washington, D.C.

Cartegena

Georgetown

Caribbean Culture: Where Does Winding Come From?

Where Does Winding Come From?

by Kaya Omodele .@The Abeng (first published in Method Mecca @ZigZee)

     A while ago, I stumbled across a website where someone was asking "How do you wine dance?" (you know, winding, wineing, wining, however you want spell winding your waistline) Then in the comments/replies, X-amount of people jumped in with they own answers, without thinking, knowing or even considering logic before opening their mouths. ;-)

     Trinis, Yardies, Bajans, GTs, people from the biggest to smallest islands, everybody claiming is they island, and their island alone, that invented winding. And what's more, nuff of them insisted their island wind the best.

     Then, somebody interjected, writing how "Africa is where the dance originated." But, that comment just sat there, unnoticed, midst the bag of noise that surrounded it. So, make me set the whole controversy straight:

     Winding didn't start with dutty wine (dutty wind) nor go-go wine nor dollar wine nor even tiny winey. There's a reason every island knows it, from Jamaica to Trinidad, down to even Bahia in Brazil; even if people perform it with different styles and in different fashions. And it's because of the one thing we all have in common, but nuff of we choose to forget.

     Africa. Africans. Yes, them - the ancestors.

African Dance

     You see, from the earliest times, dancing has played significant roles in African societies. In day to day tribal life, dances were used to ward off evil, express emotions, display fertility, ask for blessings in peace and in war, and even worship in rituals. Not to mention, dance throughout the continent was also used in celebration ceremonies such as marriage, birth and harvest. In other words, dancing affirmed life.

     African dance is distinct in some ways from dancing in other parts of the world where a dancer's entire body acts as a single unit (you ever see people waltz?). In most areas around the world, dancers are taught to keep strict lines in body flow and movement. Not so in African dancing, where the dancer is almost always moving different sections of his/her body to different counts within the rhythm itself. The movement in African dance is much more complex as the various segments of the dancer's body move in conjunction with each other.

Caribbean Dance

     Now compare this to Caribbean dancing. Notice how in dancehall a woman will move her waistline in a different timing than her shoulders and arms. Just like in soca and calypso.

      Now except for spiritual dances like Nyahbingi and Shango, the dancing most of us do here in the West is celebratory and not so much spirituality. But you can still see Africa in the winding skill Caribbean women possess.

     Some things are just imbedded in the genes. Know thyself and recognize!

A Traditional Zambian Dance

Traditional Mapoka