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Showing posts with label Caribbean short story. Show all posts
Showing posts with label Caribbean short story. Show all posts

Saturday, April 14, 2012

STOP AND FRISK: Brooklyn Beast

copyright K. Omodele 2012   All rights reserved
Foto:MFR
Foto:MFR (Photo credit: Wikipedia)
Wasn't much smiling in Di Nineties, East Flatbush, Brooklyn. The E. 90's was a zone of gun claps and shrieking sirens, after all, with reggae and dancehall ever thumping in the background. People on the road  called this part of Brooklyn "Vietnam." 

This night was frigid, a rigid Sunday- hard like Reagan trickle-dung policies 'gainst Black People. Four D's only used to opened its doors from Thursday through Saturday night, so this night was dead. And the boys them loved these nights when they could alms-up the sound system equipment all to themselves.
After clearing bottles and washing glasses, Nephew had attacked the floor, sweeping, de-gumming, mopping, waxing and buffing 'til the vinyl did shine like a brand new dub-plate. By then Belizean Gerald did done already restock the Bar with mostly Guinness and Dragon Stout, Red stripe, Banks, Heineken and Corona, and was shouldering unused drink  boxes into the nightclub basement.
Seemed like the minute the wuk dun*, there was a rolling then clanking on the nightclub shutter grill. The two teenagers turned down the club lights, peered out the one-way, window on the door. Nephew then popped the door and touched fists with Bredren as they traipsed in...Culchah, Irie, Roro, Moet, Dex, Jungle, Eh-Em, Blacka Shine and the whole side ah dem...in diamond sox, Travel Fox and Ballys; suede fronts and knit ganzies; Kangol, leather baseball caps, buckas and tams; leather gooses, bombers and shearlings...bouncing straight to the DJ booth. Nephew flicked the power strip and pressed the amps' power buttons and next thing yuh know, the system lights woke up. 
Speakers crackled.
Nephew twirled a plate onto turntable 1.
Sleng Teng
Sleng Teng (Photo credit: Wikipedia)
Irie unsheathed his locks from his leather crown and flashed them free.Took hold of a microphone like Selassie holding the Scepter.
The youth them took crowded the booth, one by one flinging lyrics 'pon the mic, riding riddims**: The Answer, Stagalag 13, Sleng Teng, The 54-46 (Boops), The Far East - in rapid-fire ganja and Heineken- slurred Patois, Creolese, Panamanian/Belizean Spanglish. Lyrics bigging up "weh we come from": The Nineties, The Fifties, Mini-mart, Brooklyn, Jamdung, GT, Panama, Belize. Lyrics 'bout Rastafari and Africa, 'bout teenaged love and odes to Ganja.
And lyrics 'bout the Dutty Boyz, the Beast, Babylon.

Outside, the wind howled. Feather-weight paper debris tumbled down shell-shocked streets into vestibule pockets where they twirled like twisters. Sirens blared up Rockaway Parkway. Minutes later more screaming sirens are chased by a next set a cop cars down Remsen Ave. Was only ten p.m. and yet Rutland Rd. was stripped bare of people like the climax of Gun Down in the Middle of Gun Town. A night-blue DT*** car crept off ah Rockaway, stalked down Rutland Road, crossed  E. Ninety-sixth, peering, lurking...

Two, three hours soon shot pass.
Nephew re-sleeved the records and shelved them.
Gerald emptied ashtrays and got rid of empty bottles.
"Starlight ah guh swing tonight." Culchah said, yanking the belt tight on his three-quarter length goose down.
"Schuups. If ah see my baby mother in deh one more time, I gon box she dung," Dex said, matter of factually. "Every single week, Man? Is wah do she so?"
Each and every one ah the boys cocked their ears. 
Rinsing the ashtrays in the sink, Gerald responded. "Box dung who, Loco?"
Nephew grinned. "Big, mampy**** Lorna? You mussy mad."
The whole side ah them nearly drop dead with laugh.
As they gathered at the door, Blacka Shine added. "My money deh pon Mampy-Pampy Lorna. First round knock out."
More laughs exploded.
Nephew checked around. The club was in order as it should be. No traces of the boys and the session. Satisfied, he locked off the lights.
The massive***** herded through the door into the shelled-down night.

The pulling down of the iron-gate shutters rumbled. The sound barreled all the way up Rutland Rd. to the Number 3 subway station and straight down to Rutland Plaza. The boys loaded six steel pins into the cylinders and clicked six locks through the pin eye holes.
Tested the gates with two tugs.
The whole crew turned, heading down towards Remsen Ave., shoulders up, chins tucked into chests to protect them from the cold.
Irie hauled up to a dumpster to hold a piss.
Suddenly, two night-colored DT cars roared, hurling horse power down the street. Tires screeched. The cars skidded and jerked into a stop right in front the teens.
Out pounced four undercover DTs, guns drawn and pointing at the teens.
The boyz stopped and braced themselves.
"Get da fuck on the wall!" The DTs pushed the boys toward the building's brick wall.
Two sprinted over to Irie, who by now done pissed on his Clarkes.
"HANDS ON DA WALL."
But Irie still had his thing exposed, so he fidgeting to zip that back in his pants.
The two DT's cocked their guns and rushed him. Each pinning an arm back, they shoved him, banged his head 'gainst the wall.
By this time, the next two officers had the other boys 'gainst the wall.
As the police searched them frantically, Culchah asked."Wah di fuck we do, dutty bwoy?"  chest swelling up.
The cop balled up a fist and cocked back his arm. "SHUT DA FUCK UP! Where da guns at?"
Culchah smirked. "Hmmmph."
As another DT frisked his body under his jacket, Nephew turned his head around. "Yo, we ain't do nuttn. Just done cleaning up my Uncles' nightclub back deh."
The officer nodded his head the nightclub's direction. "That jungle gym back there?" Chuckled. "Yeah, we saw youse come out. You got guns in there? We coming in."
Nephew wrinkled up his face. "Mek sure you dot your I's and cross you T's."
Next to them, Culchah laughed.
"Shut up and face the wall." The detective cocked his service 'matic, hand trembling. He plunked it, shaking, 'gainst the boy's head back. "Face the FUCKING wall, nigger! DON'T MOVE!""
Nephew faced the wall and rolled his eyes toward the sky. "Sir, please, why you don't tek the gun away from my head. Better if you put it on my back." Nephew insisted. "Whoever you think we are, we are NOT them."
The officer removed the gun from the boy's head and squared the nozzle in the middle his back instead. "Just don't move. Don't need no accidents, right?"
Culchah burst out. "Guh suck yuh maddah, dutty bwoy."
The officer jumped over to Culchah. Grabbed the back of boy's coat collar, ground him into the wall.
Culchah lets his body go limp.
The officer smirked and moved back over Nephew.
"Wah now offisah? How many times yuh gon search mi?" Nephew asked.
"Mek dey go bout dey business and 'llow we, nuh man," Dex said.
The officers searched each one of the boys, then collectively, the four DT's stepped back, guns still pointing.
The DT who searched Culchah and Nephew spat on the ground.
"What? No guns?" He turned to one of his colleagues, one who did search Irie. "Rooney, you check the dumpster?"
"Yep."
Unsatisfied, the DT now trolled over to Irie. Nodded and twirled his gun. "Turn around. Take that dread-head hat off, boy!"
Irie's whole body stoned up.
Glared at the officer. Slowly removed his crown. His locks cascaded below his waist.
Still aiming his gun at the boy, the DT continued. "Run your fingers through that shit!"
Irie glowered at the man.
The man bobbed the gun up and down.
Irie roughly flipped and rummaged his locks with fingers, then threw both hands in the air and held them high.
"Wha' more, OFF-I-CER?"
The officer looked around at the boys. Lowered his gun and tucked it in his waist-clip holster.
Grinning he said. "You ladies have a nice night."
Irie followed them with his eyes as the DT's retreated to their cars, jumped in and screeched off.
The boys on the wall looked behind them, then slowly faced the street.
"DUTTY BOYS, YUH."
"Dutty Babylon."
"Fuck di beast."
They continued down Rutland Road.
"Man, fuck Starlite Ballroom. Mi a guh a mih yard."
 "Banna, dat beast is a real antiman."


copyright K. Omodele 2012   All rights reserved


*work was done, finished
**rhythms
***Detective i.e. unmarked/ plainclothes
****big, fat
*****a collective like a crew, group, team or gang

Sunday, August 21, 2011

Reasoning: UK Riots

 "Whites have become blacks..." ~David Starkey

Workman Reasonings: Uk Riots
copyright 2011 K.Omodele  


With lungs heaving, a dozen and a half  bredren and work-associates drag themselves off a football pitch, peeling away sweat-plastered tee shirts and wringing them dry. They settle around, palavering in the short grass beside the field. Every man catch a seat, relaxing; but Sunday morning already done and now Monday morning looming like a hurricane right over the horizon.
A bamboo-stalk youth yanks his football boots' lace, removes boots and shin guards. Plopping down under a tree, he braces his spine 'gainst the trunk and opens a window in his smart phone. Lights up a Newport , bellows out smoke through his cannon-gun nostrils and says:
"Yow, Bajan.Your London ah bun dung, to blood-bath."
"Look how long now they rioting, bout two or three days now. Yuh late, Rudeboy!" Bajie replies, swiping a along his military cut shape-up and sops up his mustache with a handkerchief . Then, he folds it neatly, drapes it over a shoulder.
Dreadie pushes his size-twelves into flip flops. Retrieves a towel and Daily News from his back-pack before shoving in his Adidas. He parts rope-sized, Congo locks and dabs down by the scalp with the towel. Then, he turbans them, finds a stick ah Ishence*, lights it and parts open the newspaper pages.
"BaBY-LON, your Kingdom is BURN-IN'," he wails with no twitch hinting his face and not a trace of regret lacing his voice. Then, he continues like a verdict, "And this time di revolution not only televised, it Internet computerized, tuh rass."

Spence reclines, his tradesman-toned arms extend behind him, propping him up like stands. "Oonu** nuh hear bout wha Sparkey seh?"
"Who?" half a dozen of them croak out in unison like a set ah ole bull frog.
"Di MP." Spence words grumble from age, not lack of confidence. He strokes a raisin-skin hand through his cotton-colored, pickie-pickie beard. His temples are glazed with perspiration.
"Oh.Yuh mean David Starkey, dat racist so and so." Trevor answers.
"Yeah. Starski."
Dreadie eyes lock in on a page. "Hear, nuh. Pon some Tel-lie-vision program over deh, Starkey seh-"  each word is shoveled like he's digging a grave. "'The. whites. have. become. black. A particular sort of violent destructive, nihilistic gangster culture has become the fashion and black and white boys and girls operate in this language together. This language which is wholly false, which is this Jamaican patois that has been intruded in England and that is why so many of us have this sense of literally, a foreign country.'"
Dreadie glowers around at the congregation. Then, waving the paper with one arm like a flag, he rumbles:
"This man mek a connection between Black culture and gangsterism. But when you really hear di shout, yuh will find out seh youth gangs and groups been in Europe since Medieval times. You know how long gangs deh in England robbing, raping and extorting? You had juveniles wha' use to wear colored ribbons like they flag and bare violence them ole criminal deh use to commit. Even the word gang come from a Ole English word 'gan' - meaning 'to go.'"  

Bajan chuckles then straighten his face. "Like you ent hear de man say is wunna** come over there wid the gangster mentality and turn White kids Black with patwa and-"
"Baj. Banna*** stop chat yuh colonialist scuntery." Trevor interjects. "You really think is since Caribbean people start move up in England that the gangsterism thing start over deh? You know how long football hooligans riling up that country?"
"And other country, tuh." Spence adds. "GT Trevor, dem will even lef from over England and tek that clear gone over to Spain during UEFA."
Rudeboy fires, slamming his football boots on the ground. "Yuh see how dem ah fight 'gainst Jamaican and patois, doh? 'Bout false language?"
Spence wags a gun finger in the air. "English false. Is false German and French and it join up wid Scandanavian and Roman."
Dreadie notes. "Even di name London is Roman." Stands up, rolls his shoulders back into a stretch and goes on reasoning. "Is the same old 'blame the immigrant' cry. This man Starkey seh how he draw the
Rivers of Blood Speech from a man name Enoch Powell . You know who that be? You know wha' dat? Powell was a politician back in the sixties over deh who mek this big speech 'gainst Black people, immigrants from the Caribbean, crying how we soon tek over England. That speech did stir up all kinda anti-immigrant hostilities that nuff British people had inside them anyway. So now, Starkey draw from that speech and apply it to this rioting now."
Trevor chips inna center. "But Dread, look how long immigrant gangs been over deh, long before we. I read somewhere that back in the 1800's you had Irish and Italian immigrants in Liverpool who use to form dey own immigrant gang.You know how we end up over deh in England? Listen man, after World War II mash up Britain, they did need unskilled labour workers fuh rebuild the country. So, is the Common Wealth they turn to and is so nuff a we end up deh. But of course wheresoever you have immigrant communities with immigrants survivin' on low wages, you gon' find poverty an' low-income housing and then people gon' form gangs and turn to crime. You find that back in the days with the Irish and Italians, you find it with the West Indians that went to build up London, you find it fight here in de U.S., right now-pure an' simple."
Bajie claps his hands. "Yes, Comrade. Mr. Socialist. You was a Burnhamite?"
No one even looks at Bajan.

Spence clears his throat.
"And see now, Sparkey saying how this is a Black culture thing. As if gangsterism is Black culture," Spence notes. "When White people do dem hooliganism and organised crime, why they don't call that White gangster culture?"
Dreadie is up pacing now. "Bredren, that is what I woulda really love to know. Since when gang or criminal activity become Black culture? Like if criminal culture is representative of Black people. You have many people, Black and White and Red, who celebrate criminal cultures." Spliff in hand, he unsheathes his locks from the towel and flashes them from side to side. They've all seen him do this hundreds of times. Yet, now each of them notices the strength in the individual strands as if seeing Dreadie's locks for the first time. He bellows:
"You know is a youth get shot and kill by the police mek the whole thing blow up in di first place? They seh he had a gun, but before this is all said an' done, I bet we hear he never had one. Just like Smiley Culture. Yuh notice that when the people dem over deh did protest peacefully like for Smiley, the media coverage wasn't so wagga-wagga?****Eh? No body never pay dem no form ah great attention. Now they looting, the world hearing them now. SCHEEUUPPSS. Then why they shouldn't get on bad? You know how many people police kill over deh an' nothing come outta it. Is like,  we over here shoulda rise up bout Michael Stewart back in the day, Diallo, Abner Louima, Sean Bell and countless others. Mek mi waan holla. Like is only then people listen."
The wind shudders through Prospect Park, bristling the leaves steadily.






*Ishence- ganja, in this case
**oonu, wunna - you all
***banna- man, chap, bredren, notes a male
****wagga-wagga -a whole heap, plenty, in abundance


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Wednesday, December 2, 2009

Short Story: Tempting Irie

Copyright 2007 K.Omodele (Tempting Irie)


Part I
(Introducing Irie and Sukunya)

Old year’s night and one millennium hurtles toward the next. The depths of a Flatbush studio apartment whisper blackness. In the front, scarce streetlight tumbles through a monolithic window and falls flat a couple feet beyond the sill. 11:37 PM glows neon blue against the darkness. Overworked, a radiator hisses in protest.

Sukunya fidgets on a wicker settee. She grins, but her eyes scurry about the room like a condemned woman, strapped in, dreading the marching time. She squints as she settles on a figure planted behind the desk by the window, which frames Prospect Park’s skeletal landscape.
Outside, down two floors of corroding fire escape, teens gaggle and shriek on the stoop. They stumble drunkenly in and out of the building’s vestibule.
Jay-Z crackles through a Phil Collins sample. “You belong to the city/You belong to the night…” A horn screams, brakes EEK and upstairs a mother shrills from a window. “ MEEKA. Haul yuh rass in this house. NOW!!!”
"prospect park, brooklyn 2005" by postopp1 
is marked with 
CC BY-ND 2.0.

These sounds limp through the half open window and nudge the stillness in the apartment. Sukunya spills more Brunello di Montalcino into her golden cup.
She sips.
She slurs:
“So Irie, you don’t never think bout me- why men always fighting over me?” She strums her swells- breasts, hips, curve of her butt. Prattling, she arches her back and cocks her legs limberly up on the settee. A purple, silken camisole clings to her bronze skin which glistens like melting ice.
But Irie doesn’t notice. On a stacked milk-crate throne, he hunches over an unpolished, raw-pine desk. Light from outside feebly captures the concentration carving his features. Whittled brows glower as he slices a half-dozen Indica buds with a ratchet so keen, it can divide light from the darkness. Each drag of the knife scars the Steel PulseArmageddon” album cover he uses as a cutting board. He pauses. Removes his leather buckas-styled tam and Congo-natty locks cascade heavily over his stone-cut shoulders. A worn reprint of Bob’s “Confrontation” shield’s his chest.
Sukunya splays her thighs, bracing an elbow on a knee.
“I know you feel me, Irie. Can’t ig me forever.” Snaking fingers twine the gold, precious stones and pearls coiling up her neck.
She slips a glimpse off the clock. 11:40.
A light sliver ignites her cat eyes for an emerald second. “I see you watching me when I’m with Blacka. And Lenky. Or, when I’m hugging up Worries over in New Lots.” Puckering scarlet lips, she puffs him an air kiss. “Yep! I know you want me, Irie Dread. Act like you don’t, but you need me.”

Irie fluffs the sliced up ganja. Fingering the ring on the ratchet, in a single, fluid motion he flicks the blade shut and pockets it. Then he retrieves a challawa from the desk and packs the kutchie with herb. He begins chanting...
(To Be Continued...)

READ TEMPTING IRIE PART II (The lit up finale)


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